Event Description
Founded on Chicago’s South Side in 1965 and still thriving today, the Association for the Advancement of Creative Musicians (AACM) is the most influential collective organization in jazz and experimental music. Paul Steinbeck offers an in-depth historical and musical investigation of the collective, analyzing individual performances and formal innovations in captivating detail. He pays particular attention to compositions by Muhal Richard Abrams and Roscoe Mitchell, the Association’s leading figures, as well as Anthony Braxton, George Lewis (and his famous computer-music experiment, Voyager), Wadada Leo Smith, and Henry Threadgill, along with younger AACM members such as Mike Reed, Tomeka Reid, and Nicole Mitchell.
The AACM’s compositions broke down the barriers between jazz and experimental music and made essential contributions to African American expression more broadly. Paul Steinbeck shows how the creators of these extraordinary pieces pioneered novel approaches to instrumentation, notation, conducting, musical form, and technology, creating new soundscapes in contemporary music.
Event Speaker
Paul Steinbeck, Associate Professor of Music at Washington University in St. Louis
Event Information
Free and open to the public; registration required. For more information, please visit the event webpage.
Please contact the group organizer, Jessie Cox at [email protected] with any questions. The Comparing Domains of Improvisation series is sponsored by the Presidential Scholars in Society and Neuroscience program at Columbia University.
